Sunday, October 25, 2009

MODULE 4: FANTASY & SCIENCE FICTION


TWILIGHT

A. BIBLIOGRAPHY
Meyer, Stephenie. 2005. Twilight. New York, NY: Megan Tingley Books. ISBN 9780316160179

B. CRITICAL ANALYSIS
Stephenie Meyer has written a novel in which forbidden love draws her protagonist to the other. “Meyer adds an eerie new twist to the mismatched, star-crossed lovers theme: predator falls for prey, human falls for vampire.” (SLJ) The protagonist, Bella, is your typical teenager who feels she doesn’t quite fit in. She dresses plainly and enjoys a quieter existence among her peers. “Bella embodies the girl who has been "average" for so long that she no longer sees anything remarkable about herself.” (Kirkus Review) Edward Cullen is pale with noticeable features. Dark eyes with purplish shadows around as if painted by “an old master as the face of an angel.” (p. 19) “Edward Cullen, beautiful beyond belief and angrily aloof.” (Booklist) Bella desires Edward. "Drawn by his irresistible good looks and animal magnetism, Bella finds herself falling in love with Edward and determines to unveil the true person behind the impenetrable facade." (Horn Book)

Meyer provides the perfect setting for her novel to take place, Washington State, in a small town called Forks. The weather in this town supplies the ideal blend for this eerie novel, constant cover of clouds, rain, and hardly any sunshine. The location provides the gloom, mysterious, and ominous background for the dangerous and forbidden romance to take place. The novel takes the reader into the forested areas that surround Forks. In the woods readers will come to find out that there are myths about vampires. One myth in particular that is not true is that vampires hate the sun. Bella discovers that the sun reveals their mysticism. He becomes a beautiful, diamond glittering, glowing, beauty. “A perfect statue, carved in some unknown stone, smooth like marble, glittering like crystal.” (p.260) The only way Edward is able to fully reveal himself to Bella is when they are alone with nature.

The plot, although fantasy, is somewhat believable. The reader is drawn in by the words of this remarkable author. I found myself constantly remarking how smooth of a writer she is for a first time novelist. “Don’t be afraid, “he murmured, his velvet voice unintentionally seductive.” I promise…” he hesitated. “I swear not to hurt you.” He seemed more concerned with convincing himself than me.” (p. 264) Young girls are immediately attracted to this forbidden, gentle, caring, vampire, believing that this quest could be possible. The author also sets the stage by describing how Bella was predestined to become a vampire. She notes that Bella’s skin color is usually “almost translucent-looking” but here in Forks, “she had no color at all.” (p.10) A foreshadowing of her life to come. Bella doesn’t relate well to kids her own age or for that matter people in general. This explains to the reader that Bella will fit in to the life of vampire solitude. Then the author describes an unusual trait that Bella possesses. “I smelled blood,” “People can’t smell blood,” he contradicted. “Well, I can--- it smells like rust…and salt.” (p.100) Again, Bella is described as being born with qualities that will easily lend her to the life she desires with Edward.

Meyers clearly set the theme of self transformation. Edwards family, although vampires, have each carefully reinvented themselves. They are civil abiding citizens who not only care for humans, but for the environment as well. When discussing how they “eat” Edward tells Bella, “We have to be careful not to impact the environment with injudicious hunting. We try to focus on areas with an over population of predators…” (p. 215) Edward goes on to explain to Bella how his adopted father transformed himself and how as a family they firmly believe: “Just because we’ve been…dealt a certain hand…it doesn’t’ mean that we can’t choose to rise above -- to conquer the boundaries of a destiny that none of us wanted.” (p. 307) The author explains through Edwards character how each individual can control our evil desires. “I could kill you quite easily, Bella, simply by accident.” I can never, never afford to lose any kind of control when I’m with you.” (p. 310) Edward is able to contain atrocious desires in order to have what he most desires, Bella. Bella and Edward declare their love for one another. “I love you more than everything else in the world combined. Isn’t that enough?” “Yes, it is enough,” he answered, smiling. “Enough for forever.” (p.498)

While I believe in Meyer’s theme of self transformation, the belief that we can change our destinies and renew our lives, I still wasn’t thrilled with the message the young adults receive from this story. In my opinion, I’m not thrilled with giving the perception to young girls that if the boy is quote “dangerous” but as long as he is kind and gentle to you that you should follow your desires. But, that is just my opinion. As far as young teen readers are concerned they will find this novel tantalizing and sure to please.

C. REVIEW EXCEPTS
New York Times Editor's Choice
Publishers Weekly Best Book of the Year
Amazon "Best Book of the Decade...So Far"
A Teen People "Hot List" pick
Booklist: Their love is palpable, heightened by their touches, and teens will respond viscerally. There are some flaws here--a plot that could have been tightened, an overreliance on adjectives and adverbs to bolster dialogue--but this dark romance seeps into the soul.
School Library Journal: Bella and Edward's struggle to make their relationship work becomes a struggle for survival, especially when vampires from an outside clan infiltrate the Cullen territory and head straight for her. As a result, the novel's danger-factor skyrockets as the excitement of secret love and hushed affection morphs into a terrifying race to stay alive. Realistic, subtle, succinct, and easy to follow, Twilight will have readers dying to sink their teeth into it.
Kirkus Review: Edward's portrayal as monstrous tragic hero is overly Byronic, and Bella's appeal is based on magic rather than character. Nonetheless, the portrayal of dangerous lovers hits the spot; fans of dark romance will find it hard to resist.

D. CONNECTIONS
*Have students make a suggested list of songs that Bella or Edward would have on their MP3 player.
*Discus forbidden love. What does it mean?
*List the pros and cons of Bella staying with Edward.
Visit Stephenie Meyers Official Website at: http://www.stepheniemeyer.com/twilightseries.html

Other novels in this series:
New Moon. ISBN: 9780316024969
Eclipse. ISBN: 9780316160209
Breaking Dawn. ISBN: 9780316067928



THE DEAD & THE GONE


A. BIBLIOGRAPHY
Pfeffer, Susan Beth. 2008. The Dead & The Gone. Orlando, FL: Harcourt Books. ISBN 9780152063115

B. CRITICAL ANALYSIS
Susan Pfeffer has written a science fiction novel that offers an eerie look into a very plausible future scenario. The plot of the story has the protagonist, a seventeen year old boy named Alex, confronted with an extremely difficult situation. The moon has been knocked out of orbit by an asteroid and is causing chaos in the world. I found it incredibly convincing how Pfeffer uses the moon in this novel. With this occurrence, tides are affected and begin the process in which “the planet is rocked by famine, floods, freezing temperatures and widespread disease.” (Publishers Weekly) As I read through the book I kept imagining what I would do if my family were put through this situation. Alex’s parents are missing. “Alex suddenly faces the reality of survival and the obligation to protect his two younger sisters. His moral and religious upbringing is continually put to the test as he finds himself forced to take action that is often gruesome if not unethical—like situations.” (Kirkus Review)

The setting takes place in New York and Pfeffer does an excellent job of describing streets, places, and situations that make not only the setting but the plot credible. “She accurately and knowingly depicts New York City from bodegas to boardrooms, and even the far-fetched science upon which the novel hinges seems well researched.” (SLJ) The reader can envision through her graphic description of events the reality of life Alex now lives. Alex visits Yankee Stadium searching among the dead bodies for his lost mother. “Then came the smells, unlike anything he’d ever known, a sickening combination of vomit, body odor, and rotting meat.” (p. 62) “Readers will be gripped and horrified by descriptions of the smells, sounds, and desperation.” (Library Media Connection) The setting moves the reader into this imaginary world of despair. "Pfeffer creates tension not only through her protagonist's day-to-day struggles but also through chilling moral dilemmas: whether to rob the dead, who to save during a food riot, how long to preserve the hope that his parents might return." (Publisher Weekly) The novel is candid with the gruesome possibilities of what it would take to survive an ordeal such as this. Ethics, morals, and rules are sometimes thrown out the window in order to avoid the inevitable.

The theme of this novel is family, faith, and resilience. Alex and his two sisters have to rely on each other to survive. Their faith also plays a huge part in their survival skills. “Religion is one of the strong threads running through the novel.” (Booklist) Not knowing where else to turn Alex runs to Father Franco who replies: “We must pray for Christ’s mercy,” he said. “I don’t know what else to tell you.” (p. 49) The kids are forced to grow up fast. Alex states of his sister Julie, “Her baby days were over. The world had no more room for twelve-year-old babies." (p. 98) As they begin to mature fast they continue to lean on each other and their faith. They each pray, attend mass, and seek God for strength. Alex states, “Forgive me for ever thinking I can do what I must alone, without Your guidance and Your love. (p. 185) As the novel continues the reader will come to understand the blessing we have at the moment. Young Adult readers will realize that life can change with a blink of an eye. No one is ever promised tomorrow. I believe Alex states it best when he says, “I was so spoiled, he thought. I had so much and I didn’t appreciate it. I always wanted more.” (p. 300) The author gives a very vivid picture of how drastic life could change. “I was gripped in a panic as I read this book that didn’t dissipate after I finished it. It hits very close to home…” (Library Media Connection)

I highly recommend this book with caution. If a young adult reader is not ready to hear plausible scientific situations that could occur then I would not recommend this novel. “…what Pfeffer writes about seems wrenchingly plausible.(Booklist) The powerful images and wrenching tragedies will haunt readers.(Publishers Weekly)

C. REVIEW EXCEPTS
Booklist: The story’s power, as in the companion book, comes from readers’ ability to picture themselves in a similar situation.
School Library Journal: The characters evolve as the city decomposes, and the author succeeds in showing their heroism without making them caricatures of virtue. This fast-paced, thoughtful story is a good pick for melodrama fiends and reluctant readers alike.
Kirkus Review: …realistically bone-chilling despair and death join with the larger question of how the haves and have-nots of a major metropolitan city will ultimately survive in an increasingly lawless, largely deserted urban wasteland. Incredibly engaging.

D. CONNECTIONS
*Make a list of necessary items needed to survive a similar event for your family.
*Create a poem that describes the despair Alex and his sisters are facing.
*Discuss the plausibility of an event such as the moon being hit by an asteroid.

Follow Susan Beth Pfeffer with her Blog Website at: http://susanbethpfeffer.blogspot.com/2007/11/my-preliminary-notes-about-dead-gone.html

*1st Book in Series:
Life As We Knew It. 2008. ISBN: 9780152061548



SONG OF THE LIONESS BOOK 2:
“In The Hand Of The Goddess”


A. BIBLIOGRAPHY
Pierce, Tamora. 1984. In The Hand Of The Goddess. New York, NY: Atheneum Books for Young Readers. ISBN 0689853246

B. CRITICAL ANALYSIS
Tamora Pierce has written a mystical fantasy novel that is sure to please. The plot of the story revolves around the protagonist Alanna. Alanna is a young girl who dreamed as a child of becoming a warrior maiden. Disguised as a boy, Alanna serves Prince Jonathan as his personal squire. She has mastered the skills of dueling, has special magical powers, and the strength to boldly live and walk among other men within the Kings court. Alanna is forced to face her fears as the Goddess appears before her in the woods. She explains that she must conquer three fears. “You fear the Ordeal of the Knighthood.” (p.10) “You fear love.” (p. 11) “What’s my third fear?” “Roger, Duke of Conte.” (p.12) Alanna duels at a banquet, is taken prisoner of war, saved by the Prince, and conquers her fear by defeating the Duke of Conte.

The setting is filled with swords, adventure, intrigue, and mysticism. Alanna finds herself in a cold forest approached by the Goddess, at war, taken prisoner, and at the banquet of the King. The language used within the story helps to enhance the setting. I enjoyed hearing, “Mayhap I’m wrong. An’ then again, mayhap this’s why.” (p. 66) or “Treachery!” He snapped. “Merciful Mother, we should have guessed!” (p. 100)

The author has clear messages that she inputs within the story. First and foremost she portrays her female protagonist as strong and capable of anything a man can do. “ In the three years she had been disguised as a boy, she had learned that boys know girls as little as girls know boys. It didn’t make sense—people are people, after all..” (p. 3) It reinforces within young girls that people are people. If you desire to achieve greatness in life you must not allow your gender to make a difference. The author also explains that although it may be the “custom to yell insults and challenges at an opponent” that it is a “was a waste of breath.” (p. 30) I appreciated how she goes on to explain through Alanna that, “just because he behaves badly is not excuse for me to behave badly.” (p. 34) Alanna has opportunities to behave badly but in every circumstance she uses the laws of Chivalry first and foremost.

The only problem I had with the story is that I kept wondering how in the world her companions did not guess she was a boy. Was her voice deep? Did she walk like a man? How did she learn to completely disguise herself so well? It was a tad unbelievable to me but then again, this is fantasy at its finest. Then when we learn that some are beginning to realize that she is a girl no one has a fit, wants her beheaded, or seems angry about being deceived. Disguising herself as a boy was a burden to Alanna. “The only thing she still looked forward to was the relief of telling everyone who she was.” (p. 174) Then in the story this phrase helped the story make sense to me. “You have learned the laws of Chivalry… Keep them in your heart. Use them as your guides when things are their darkest. They will not fail you if you interpret them with humanity and kindness. A knight is gentle. A knights’ first duty is to understand.” (p. 178) I assume that since the other men where knights there job was to “understand” why Alanna disguised herself and was the reason why they were so accepting of this revelation.

As stated by SLJ, this novel is a “timeless story of magic, adventure, and a strong female character.”

C. REVIEW EXCEPTS
School Library Journal: Alanna of Trebond continues her masquerade as Alan in this, the second book in the Song of the Lioness quartet by Tamora Pierce. The story spans Alanna's fours years as Prince Jonathan's squire. During this time, Alanna participates in her first war, battles against Jonathan's evil uncle, Duke Roger, meets the Great Mother Goddess and experiences first love, all the while maintaining her guise as a boy.

D. CONNECTIONS
*Research the laws of chivalry, do they exist today? If so, in what form?
*Why was Alanna afraid of love?
*Write a poem that describes the strength and character of Alanna.

Visit Tamora Pierce at her website: http://www.tamora-pierce.com/books.html

Other books in the series:
Book 1: Alanna: The First Adventure. 2005. ISBN: 978-0689878558
Book 3: The Woman Who Rides Like A Man. 2005. ISBN: 978-0689878589
Book 4: Lioness Rampant. 2006. ISBN: 978-0689878572

Sunday, October 11, 2009

MODULE 3: ADVENTURE, SPORTS, & MYSTERY

I’D TELL YOU I LOVE YOU BUT THEN I WOULD HAVE TO KILL YOU

A. BIBLIOGRAPHY
Carter, Ally. 2006. I’d Tell You I Love You But Then I Would Have To Kill You. New York, NY: Hyperion Paperbacks. ISBN 139781423100041

B. CRITICAL ANALYSIS

Young adult girls will enjoy this novel filled with secret spy training adventures. The author chose the perfect setting for the high stake adventure. A prestigious boarding school sets the stage for these above average, young, intelligent agents, who learn to speak 14 different languages while learning highly classified skills. It’s refreshing to read girls portrayed as talented geniuses learning how to do a “man’s” job. The school is found in the midst of small town Roseville, Virginia. The people believe the girls who attend this academy are nothing but snooty girls from wealthy families. As exceptional as the girls are depicted, the reader will come to see that they are just like any other girl, with feelings of insecurity, and secret longings.

Almost immediately the novels adventure begins when a CODE RED is announced. Walls turn, foyers change, new posters are displayed, and the school transforms itself into a normal boarding school for girls. As outlandish as the plot can be, the author made each sequence of events heartfelt girly emotions that readers will connect with. Cammie, who narrates the story states: “I don’t’ know about regular girls, but when you’re a spy, getting dressed to go out can be something of a production.” (p. 142) I know with my normal thirteen year old getting dressed is always a production. Cammie also feels that life is filled with contradictions; “all I’ve heard for the last three years has been: Don’t hesitate, but be patient. Be logical—trust your instincts. Follow protocol—improvise. Never let your guard down—always look at ease. So, see, if you give a bunch of teenage girls those kinds of messages, then , yeah, eventually things are going to get interesting.” (p. 103) The protagonist deals with the same inconsistencies that young girls feel adults converse to them today. The author continues to have her protagonist, Cammie, connect with young adults by having her state: “All these years I’d thought being a spy was challenging. Turns out, being a girl is the tricky part.” (p.144) Being a girl is tricky and can be complicated. The protagonist Cammie is a likable character that readers will connect to. She’s smart yet insecure. She knows that her friends will always be there for her. She feels pressure to follow in her parents footsteps. She worries about her classes and grades, thinks about boys, and is concerned with her looks. The only disappointing part of the novel is that Cammie does not get a chance to work on a “dangerous” covert operation. “The stakes never seem very high since there are no real villains...” (SLJ)
This novel does not provide girls with an insightful or thought provoking message. It simply allows young adult girls to escape from real life dilemmas and live an adventurous double life through Cammie.

C. REVIEW EXCEPTS
School Library Journal: Cammie Morgan, 15, is a student at Gallagher Academy, a top-secret boarding school for girls who are spies-in-training. She studies covert operations, culture and assimilation, and advanced encryption, and has learned to speak 14 languages. Her troubles begin when she falls for Josh, a local boy who has no clue about her real identity. Keeping her training secret forces her to lie to her new love, which leads to comic complications.
Publishers Weekly: Set in a spy school for girls, this entertaining novel centers on 15-year-old Cammie, the headmistress's daughter, who must decide if she is cut out for a life of secrets. Though the plot takes a while to unfold, fun details and characters will keep readers engaged

D. CONNECTIONS
*Cammie mentions that society tends to underestimate women. Do you believe this statement to be true? Why or Why not.
*Cammie states: “I knew that the only thing I could do was keep putting one foot in front of the other, hoping none of the secrets on my shoulders would make me lose my balance.” (p. 223) What do secrets do to our lives?
*Cammie doesn’t believe she’s “normal.” What is normal? Does it even exist?

Visit Ally Carter at her Website: http://www.allycarter.com/

Other novels by Ally Carter:Don’t Judge a Girl by Her Cover. 2009. ISBN: 9781423116387
Cross My Heart Hope to Spy. 2008. ISBN: 1423100069
Cheating at Solitare. 2005. ISBN: 9780425205747



LAST SHOT: A FINAL FOUR MYSTERY

A. BIBLIOGRAPHY
Feinstein, John. 2005. Last Shot: A Final Four Mystery. New York, NY: Alfred A. Knopf. ISBN 0375931686

B. CRITICAL ANALYSIS
Feinstein did an excellent job of writing a mystery novel that mixes adventure, danger, mystery, and the fun of sports all in one. I am personally not a big sports fan, but as I read through the novel, I recognized authentic names within the story. This aspect helped to make the story more realistic in nature. “References to real players and coaches mingle, almost eerily, with the fictitious characters.” (SLJ 2005) The premise, or plot of the story, was executed in a way that made it believable. Two students win a contest to be junior sports writers for a final four basketball event. I appreciated that Feinstein added a girl as a winner, described her as pretty and also made her knowledgeable. There are many young adult girls who love sports and adding a strong female character helps validate the love and appreciation girls have for the game of basketball.
The novel highlights the importance of achieving goals, writing unbiased and authentic journaling, seeking justice and truth, and it shows the not so nice side of sports as well. It does not preach out loud about ethics but places the ethics of character, sportsmanship, and rules of the game into the context of the story. The novel leads the reader to its own conclusions through the actions and decisions made by the characters within the novel. Steve and Susan, the main protagonists who won the contest are dumfounded that a professor of ethics is the culprit behind the blackmailing going on in this story. Steve realizes that “fair-and-unbiased-reporter thing was harder than it looked.” (p.20) As the two young journalist accidentally hear a player being forced to throw the final game Stevie mentions: “he felt like he was leaving a movie. But there was no leaving. Now he and Susan Carol were part of the movie.” (p.57) As they discuss what to do they realize, “who would believe us.” (p. 56) The two young writers have gumption and persist onward to solve the mystery of who is blackmailing the unknown player. As Kirkus Review states: this is, “No little-guy-overcoming-the-odds story, this is a tale of celebrity, big business, and corruption as witnessed by two eager and innocent fledgling reporters who must decide what to do with their unexpected knowledge.” The story will draw the reader in and keep them guessing as the two journalist work their way towards solving this mystery. "Young basketball fans will most appreciate the caper, but mystery buffs will also turn these pages eagerly." (Publishers Weekly 2005) Young adults will agree that this book is filled with elements that make this mystery novel a winner.

C. REVIEW EXCEPTS
Horn Book: As winners of a writing contest, eighth-graders Steven Thomas and Susan Carol Anderson travel to the NCAA Final Four as journalists. In addition to meeting college basketball celebrities, the two also uncover a plot to fix the championship game. As the fast-moving mystery takes off, the book becomes the reader's own press pass to a behind-the-scenes look at the Final Four.
Kirkus Review: When Stevie Thomas wins a sports writing contest and gets to cover the Final Four college basketball championship in New Orleans, he knows it's going to be the most unbelievable weekend of his life. And unbelievable it is, but in unexpected ways. Amidst the circus atmosphere at the Superdome-with the Blue Devils, Huskies, Coach K, Dick Vitale, and the clamor of hawkers, scalpers, and the best sportswriters in America-Stevie and his co-winner Susan Carol overhear a plot to throw the championship game.
School Library Journal: This action-packed mystery is set at the NCAA Final Four men's basketball tournament. Eighth-graders Steven Thomas and Susan Carol Anderson are aspiring journalists and winners of the U.S. Basketball Writer's Association 14-and-under writing contest. Their prize is a trip, with press credentials and reporting responsibilities, to the Final Four in New Orleans. While exploring the Superdome, they overhear a blackmail threat leveled at Minnesota State University's star player. Threatened with a falsified transcript that would disqualify him and his team, Chip Graber is pressured to deliberately lose the final game against Duke. Stevie and Susan Carol become resourceful sleuths determined to save Chip and to expose the scandal. Throughout the story, famous basketball personalities make memorable guest appearances, including spirited sports analyst Tony Kornheiser and irrepressible commentator Dick Vitale.

D. CONNECTIONS
*Stevie mentions that this event would be a first-in-a-lifetime experience. What does he mean and do you believe it’s possible?
*Stevie and Susan do not feel as if they can turn to an adult and tell them what they know. Is this a true picture of how adults react to young adults approaching them with news?
*What role do ethics play in sports today?

To learn more about John Feinstein visit: http://www.randomhouse.com/author/results.pperl?authorid=8500

*Other related novels by John Feinstein:
Change Up: Mystery at the World Series. 2009. ISBN 9780375856365
Cover Up. 2008. ISBN 9780440422051
Vanishing Act. 2008. ISBN 9780440421252

HARRIS AND ME

A. BIBLIOGRAPHY
Paulsen, Gary. 1993. Harris and Me. Orlando, Florida: Harcourt Brace & Company. ISBN 0152928774

B. CRITICAL ANALYSIS
Gary Paulsen has written a tale filled with rip roaring fun. The story is narrated by an 11 year old boy who has been sent from family to family to escape his alcoholic parents. The author used an appropriate setting, country life, a location that is as wide and as free as the imagination can carry you. Immediately we are introduced to the narrator’s cousin Harris and his colorful language as he states: “We heard your folks was puke drunks, is that right?” Glennis, his sister, slaps him across the head and Harris declares, “Well you can just blow it out your butt, you old cow. You ain’t no grown up to tell me what to do. How the hell am I supposed to know things if I don’t go ahead and ask them?” (p.7) And so commences the tone of the story, a journey of curiousness that ensues between Harris and his newly acquired cousin. The characters as very likable and keep the novel fresh and fun. Harris will appeal to the fun adventurous side of life. The main protagonist, the narrator, will connect with readers who long for a place to call home, a family to love, and a friendship that fills the void. “Paulsen never loses sight of his vulnerable narrator, a classic outsider never named, who finds by the end of his summer a place he finally belongs and people who love .” 1993)

The plot is filled with outrageous and sometimes authentic acts of craziness between the two boys. They hunt Commie Jap pigs, swing like Tarzan, try to escape the madness of a rooster named Ernie, experiment with an electric fence, and more. The two boys work the farm but have fun using their imagination in the process. “Between escapades, the two boys do a fair amount of raw work, socialize a little, and all in all spend a glorious summer together.” (Book Report 1994)

Young adults will enjoy the hilarious adventures. Their curiosity gets the best of them and at times Harris gets frustrated by his cousin as he declares, “you don’t know nothing, do you.” (p.43) I believe reluctant readers will have fun reading this novel. The two cousins keep the reader on their toes wondering what they will be up to next. “It wasn’t that we tried to get in trouble. Indeed, Harris and I did not think in terms of trouble at all. It’s just that many of the things we wanted to do—well perhaps all the things we wanted to do—seemed to cause difficulties in some way that we hand not expected.” The boys do cause havoc and place themselves in wild situations but as School Library Journal states: “Some stories push beyond believability and edge into tall-tale territory, but it doesn't matter.”(1993) It is a novel that will keep the reader begging for more. Paulsen has done a superb job of hooking the reader and engaging them through the plot of this fantastical adventurous story.

C. REVIEW EXCEPTS
Kirkus Review: As the boy explains, he's 11 years old that early-50's summer when a deputy sheriff dumps him with distant relatives on a north country farm--one in a long succession of makeshifts arranged in lieu of the parents who drink Four Roses neat from jelly jars and are "pretty much mean whenever they [are] conscious." The Larsons are sturdy, rough folk; Knute is virtually silent, though he's the source of his nine-year-old son Harris's richly profane vocabulary, which invariably elicits harsh (but ineffective) blows from "strapping" sister Glennis. In Harris's charge, the boy learns, the hard way, to avoid the cow with a brutal kick and the mouse-devouring "cat" that's actually a lynx. Ignored by their busy elders, Harris's imagination regularly gets the two into freewheeling "trouble" as dangerous as it is hilarious--trouble involving the two giant horses, or a runaway bike fitted with Harris's mother's gasoline washing-machine motor. By summer's end, the boy has learned to match Harris's wild pranks (he challenges Harris to urinate on an electric fence, with the expected result) and has fathomed the true humanity of the characters he so vividly and comically describes (the hired man gulping pancakes, syrup in his beard, is unforgettable). Just when he and the Larsons begin to regard each other as family, the boy is wrenched away. Poignantly, after one lonely letter from Harris, the book ends.
Horn Book: Set in the 1950s, the funny, earthy look at farm life, as viewed by an eleven-year-old city boy, includes laugh-out-loud passages as well as heaps of nostalgia. The narrator has been sent to live with relatives as a respite from his alcoholic parents. The book centers on his relationship with his nine-year-old cousin Harris and their exploits, experiments, and accidents during one memorable summer. What the two can't think of to try isn't worth telling!
School Library Journal: A nostalgic journey through a boy's breakneck summer. Told by a narrator recalling his experiences the summer he was 11, the stories begin with his being dropped by a deputy at the farm home of a distant relative. "`We heard your folks was puke drunks, is that right?'" asks the beguiling and reckless nine-year-old Harris almost immediately. Of course they are, but that dismal fact of life is forgotten nearly at once as Harris leads the two of them off on one wild adventure after another. As one might suspect from Paulsen, there are no ordinary characters residing on this backwoods farm: there's Vivian, the ornery, kicking cow; 300 pound pigs who don't look kindly on wrestling matches with boys; Ernie, the attack-rooster; Louie, the hired hand with strange table manners and an artistic streak; Buzzer, his pet lynx; and Harris's older sister, Glennis, who is constantly whacking him for swearing.

D. CONNECTIONS
*How did the setting help the believability of this story?
*What did it mean to the narrator when he found the diorama of Harris’ family with a miniature of him included?
*What impact do you believe that summer had upon the narrator.

To learn more about Gary Paulsen visit: http://www.randomhouse.com/features/garypaulsen/about.html

Other novels by Gary Paulsen:
Lawn Boy. 2009. ISBN 9780553494655
Mudshark. 2009. ISBN 9780385746854
Tracker. 2007. ISBN 9781416939405